What a pleasant surprise! Buchla has introduced a wonderful and handy expander for the Easel – in the same cartridge-type fashion as the iProgram Card.
The card adds a third(!) oscillator to the already complex (carrier & modulator based) oscillator of the Easel. It also unleashes voltage control over the waveshape paramter which had not been CV controlled in the original setup. The low-frequency noise generator also adds more to the modulation palette of the Easel, and you can also control switch settings! It is a very handy tool that is well-integrated, and it will surely grow on every user.
This year’s Budapest Music Expo was special groundbreaking for a lot of reasons. At Analogue Zone‘s booth, visitors were having a lot of fun and exclusivity around, since for the first the time in the Central-European region, they were able to meet eurorack modular manufacturers coming from Eastern-Europe to Brooklyn, and try out their custom built systems. On top of that, a eurorack prototype of a well-known Hungarian stompbox manufacturer also debuted at the booth. They had a lovely vibe in their well-designed booth – it was certainly a place where a lot of thought-provoking conversations, introductions to synths and also exclusive workshops took place.
Bastl Instruments were getting a lot of attention thanks to their servo-motor modules which were controlling various small percussion instruments. Their wooden case and booth design was really fun and aesthetic – their case will be seperately available later. All their handmade modules and synths are produced locally in the Czech Republic, including the PCBs.
The Erica Synths crew occupied one of the largest spaces in the booth, showing their prototypes new Graphic modules (the graphic VCO and sequencer) and their dual ADSR / LFO also one could see their brand new simple but lovely MIDI to Trigger module, which generates simple trigger signals based on MIDI notes and was used during non-stop underground live electronic music. The module was announced for the first time during the time of the exhibition and a few lucky raffle winners were also able to take it home.
The Erica Synths crew were really enjoying their stay here, and were getting a lot of attention. Girts, the man behind the company was emphasizing that they intended to bring a less masculine and more aesthetic type of approach are coming with plenty of new designs this year.
Konstantin came to the both as the representative of Tiptop Audio – showing up their upcoming quantizer module. He was also announcing a new case, when talking about the new quantizer module which was exhibited, he confirmed that new Serge modules were on the way from Tiptop, and it is said that many of them are in really advanced stages already! His techno jamming and general approach to live electronic dance music was also enjoyed and appreciated by the people around the booth. He – as other exhibitors – was playing in sync on the last day with other modulars as one master clock signal was sent from the Erica Synths case which was distributed in the whole booth! A pretty nice and often forgotten approach!
The UK side of the booth was also buzzing. Allan J. Hall from AJH Synth got a lot of visitors as people wanted make sure how his MiniMod system sounded like. His months of hard work of fine-tuning a Model D sound and realising it with 21st century electronics is a convincing achievement indeed. As he said, people were afraid that he was going to lose the characteristic sound of the classic – along with eliminating its inherent flaws – but no doubt that he won that game as well. It was especially nice of him that he helped around to install the Doepfer Monstercase at the corner of the booth. Its robust size and the oscilloscope next to it with laser projection on the wall gave the basic sound a synthesis a visual dimension which continuosly attaracted visitors too. Bernard from Doepfer Musikelektronik was controlling the synth, giving insight to a lot of people around.
Next to Allan, Justin from Abstract Data was having a great time with his system, especially when it was also synced to the other modulars in the booth. His Octocontroller module was busy every day and he was – as all other manufacturers – giving a short demonstration going into details about his system.
Michael from Birdkids had an impressive table with a small but powerful modular system – their Bateleur VCO with both of its 2 new expanders made it an outstanding synth-voice which was played around by several visitors. He was mentioning a “stackable” filter in the works, and he was kindly discussing design difficulties, and even came up with DIY tips for more advanced users.
Trent Gill from Mannequins – who had also held a Monome / Mannequins workshop at the Analogue Zone showroom 2 days before the show was having lively conversations with the people around. Even manufacturers were amazed by the complexities and odds (and evens) of their Monome Mannequins combo systems. However, it turned out quickly how playable and musical they are. He said that a final stage that had not been designed yet in their systems is their envelopes. Not able to leak a lot of details here, though I can confirm that he decided on the Serge-way of doing things. 🙂
Analogue Zone a lot of other new synths to the public, including the new Sequential Prophet 6, people often queued in front of that wonderful new/old polysynth. Not to mention such rare instruments as the Buchla Music Easel, and its latest version, the Easel K, which had its European debut at the booth as well, but recent euro modules like the Roland AIRA modular series were on display. As a Hungary-based
retailer, they were happy to announce the prototype of a Hungarian eurorack module by stompbox manufacturer Kasleder Effects, which luckily made it to the show – it is going to be out soon exclusively at Analogue Zone with a lot of audio and viceo demos! As a voltage controlled germanium fuzzer / limiter, it adds subtle grainy or harsh textures even to a simple sinewave – people praised for its versatile sound and also for the build quality – it will surely be loved by a lot of people. All sound was put out on lovely Monkey Banana studio monitors which offered a good taste of the signals people were able to check out.
All in all, the unprecedentedly exclusive Analogue Zone booth with its workshops, friendly and open mentality and intimate environment at the Budapest Music Expo, a new paradigm was set both for the local and global synth scene and surely, visitors and manufacturers benefited from it, and will be likely to experience a larger edition, next year (click here for the 2016 show’s facebook event).