NAMM 2017 series - Live Q&A with eurorack makers & Richard Devine

The Analogue Zone is right there at NAMM 2017, live and direct every day! They are organising a live stream starting in a few hours with eurorack makers and the one and only Richard Devine.

Analogue Zone encourages every one of their customers or viewers to send them their questions to be asked at a live q&a session from NAMM with eurorack makers Dan Green (4ms), Tony Rolando (Make Noise), William Matthewson (WMD) & Richard Devine!

Update: here is the archived stream in 2 parts:


NAMM 2017: The Eurorack Tape Echo

Danish manufacturer T-Rex Effects introduced their dual tape echo eurorack module which had started its life as a stompbox a while ago. No doubt that they made the sound warm and the CV ins smooth enough too.

Those who were waiting for their tape echo which won’t cost a fortune and can be integrated easily into their eurorack modular synths shall be delighted: The T-Rex Effects Replicator has a lovely sound, and the pedal had been already praised by a lot of users.  The CV ins are also slewn, so no harsh or “weird” modulation signal will eventually kill the motors or the tapes.  Talking of sound processing: its 8dB boost can send your already thick eurorack waveforms on a waveshaping holiday. The chorus and built-in filter produces smooth and subtle effects strictly based on the raw components’ and signals capabilities! It is worth attenuating the input signal though for softer and more minute effects. At ~8,7Vpp most oscillators and digital audio outs will be fine, though louder and more dynamic effects of some drum modules and tube modules might get distorted earlier. …We have just scratched the surface!
 
 
If you maintain it (demagnetisation can be done with ease, plus the tape heads which are also accessible need cleaning time after time), this module will never let you down.
 
 
Size and consumption should be considered: it is a little bit bigger than half of a typical eurorack row (44 HP), but in the age of big cases, it has become essential to provide your modules with enough power (4ms ROW POWER 40 or a ROW POWER 30 power supply modules will do he job).

Buchla Introduces the Aux Expander

What a pleasant surprise! Buchla has introduced a wonderful and handy expander for the Easel – in the same cartridge-type fashion as the iProgram Card.

Buchla - Music Easel Aux ExpanderThe card adds a third(!) oscillator to the already complex (carrier & modulator based) oscillator of the Easel. It also unleashes voltage control over the waveshape paramter which had not been CV controlled in the original setup. The low-frequency noise generator also adds more to the modulation palette of the Easel, and you can also control switch settings! It is a very handy  tool that is well-integrated, and it will surely grow on every user.

NAMM 2017 - Day 0

Analogue Zone is live and direct at NAMM, bringing us the latest and greatest at breakneck speed! Here is Day 0 with lots of eurorack news  – yes, literally during the show was still being built.
4ms Company came up with the latest and we guess the almost final version of a sampler with enough ease of use, memory and depth – a great and easy to use sampler that is in harmony with their earlier dual modules that you can get crazy with using their ground-breaking clock modules that made them famous… The new Tapographic Delay could be called a good contestant of the Rainmaker with less width. the price will be in the range of the SMR.

 Qu-Bit Electronix gives us the the Tone – a quad voltage control 24dB lowpass-bandpass filter – probably designed for the fantastically sounding Chord, and the Chance module, a Swiss Army knife of random signals including random rhythmic patterns. The Contour – a more modern take on the quad ADSR concept (coined in first by Doepfer) – shipping next week! Their Mixology has been updated with send-return, size-increase(!) thank god!) plenty of gain, and so on…

Pittsburgh Modular has updated their Lifeforms series with filters (a vactrolesque filter with unstable mode), adsr, mixers with new routings, oscillators …and and yes.. an in-rack mixer 🙂 Also, they have a new line of cases – with enough power till the next century.

WMD came up with a prototype trigger sequencer (an A-157 on steroids in short) Arpitecht, a beautiful quantizer concept.  Also (dj and live) performance oriented tools are a compressor, a filter with stereo width effect have been seen in their rack this year!

Steven Hansleigh from 2hp introduced yet again(!) a few new 2HP modules, including known concepts such as the tiniest Turing Machine, a multiple Clock source module or sample-and-holds which are new in this size. Each user will find at least one cool module to fill up the remaining 2HP space of their racks.
Endorphines were busy with updating their Shuttle Control, and their Grand Terminal is also ready for shipping. The Cockpit which we have seen last year is also an amazing routing and compression mixer tool!

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Analogue Zone@NAMM '17

As every year, members of the Analogue Zone team packed up and have arrived to California to bring you the latest and best from NAMM. As it has already happened with Make Noise – 0-Coast, there might be some game changer synth news that you will hear from them first.

Make Noise has said they were coming up with a new module (rumoured to be a new digital collab module with Soundhack), Intellijel has promised 5 new modules both in the 1U tile and the standard 3U height eurorack category, and Noise Engineering has also something new to show. As Make Noise surprised us with the 0-Coast, plenty of eurorack manufacturers may follow their lead!

2016 has ended up with some nice melodies for eurorack (Tiptop Audio – QuantiZer & 2HP – Tune) – WMD is about to enter the quantizer game (of some sort) with their new Arpitecht module.

A1508_HRDoepfer is alive and kicking, coming up with new thru-zero VCO’s and an octal manual/CV controlled sequential switch! (It would not be an exaggaration to say that their A-150-sequential switch modules have always been on eof  their best-selling units).

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The Power of Passive

Let’s start 2017 even if we don’t have any busses or mA’s left in our eurorack modular system. Not mention cash… You may already know that passive circuits are more fun than just simple multiples or attenuators.

You must have been in the following situations (so have I):

      • Running out of busses / power in your eurorack system
      • Having a few HP’s of space left, yet you did not know what to do
      • None of the above, but still not having a single passive module in your system (except multiples maybe)

      So I thought to inspire you with some ready-made modules/concepts that are entirely passive and readily available for you…

      1) OR-combination


      or
      doepfer-orcombine-or-15If you have a signal (audio or CV) and another signal
      the output will only show an “on-off” state IF only ONE of the input signals are present.  Anyway, if you got lost somehwere, I can tell you that OR-combination is Ideal for rhythmic variations or audio mangling (that is, cutting the “upper” wave of your audio signal – so-called half-wave rectification). Most OR-combiners  are usually 1 to 3 or 1 to 6 (or 7) setups… Except for Synthrotek’s massive Combine OR which offers you enough OR-combination channels…  (8 times 4) for a while. I have an Intellijel OR in my case but the Doepfer one is pretty cool too.

       

      2) Multiples with switches (or any manual switch basically)

       

      Modulserie A 100; Doepfer Musikelektronik GmbH Firmensitz Graefelfing Amtsgericht München im Handelsregister HRB 97 399 Geschaeftsfuehrer Sibille Heller, Dieter Doepfer USt ID-Nr. DE129329318 Website www.doepfer.de

      My all-time favourite multiple module is the switched one from good ol’ Doepfer. Isn’t it wonderful that you can switch off any multiplication or switch to another channel. Wish someone made a monster version of it with 4-stage toggle switches and more interesting routing! Let your hands become the sequential switch!

      addac301c-500x500Check out ADDAC’s Sustain Pedal Switcher too: it is a tool which accepts sustain pedals’ signals to switch between your audio/CV signal inputs! 

       
      3) Attenuators

      You can never have enough of them (also, you can never have enough mixers and VCA’s). Once you had enough of the barbaric signal levels, you will realise that less is more. What is more, less sounds better. Attenuation is essential to fine-tune any patch. Even Aaron Funk said so. And now I say so, and a lot of people would. Of course you could always find fun to invert and offset input signals too, but hey, that would not passive any more, so I won’t include all those lovely utility modules here…

      pico_atten_1 2hp-trim quad-atten a-183-1Doepfer A-183-1 – dual attenuation on two seperate channels. It won’t get any simpler  than this.
      SSF-WMD – Quad Atten – if two channels were
      not enough
      2HP Trim – Currently the world’s smallest attenuator
      Erica Synths – Pico Attenuator – currently the world’s 2nd smallest attenuator

       

      Finally, a few things I left out deliberately: I could have included ring modulators, but I prefer them buffered hence powered to for more massive sound), passive filters (go check the Bastl one!), too and tons of more DIY euro projects (attenuators, vactrols – also, lovely audio stuff happens too even when you just obstruct any signal with a simple LED!), yet I decided to go for ready-made and available products.

      I hope you will have some passive fun!